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AV Club: WUSSY - She's Killed Hundreds (Video Premiere)

AV Club Premiere of “She’s Killed Hundreds”

Wussy’s video for their single “She’s Killed Hundreds” (directed by Rich Tarbell) was premiered today via the AV Club, who had this to say about the track:

Cincinnati’s Wussy has always blurred the line between alt-country and straight-ahead rock, but on its sixth album, Forever Sounds, the band has found a new way to make the amalgam pop. The A.V. Club is premiering the video for “She’s Killed Hundreds,” a song that sees Wussy embrace swirling, psych-rock riffs that expand outward seemingly without end. The video plays off the song’s themes, as an unnamed spy leaves leaves nothing but destruction in her wake.

Speaking of the song’s themes , Lisa Walker said:

“Lyrics on this one are courtesy of Chuck. We never entirely know what he’s writing about, and half the time, he doesn’t either! He played this song for the band – plus “Hello, I’m a Ghost” – after we’d essentially finished the record and packed up. Needless to say, we were blown away, so it was worth setting up in the studio all over again to capture these two amazing tracks. John Erhardt and I also get to play dueling lead guitars, which is supremely fun. For me, this one has always had a bit of a Pixies meets Guided by Voices vibe. In other words, Ohio to its core.”

Read more at AV Club

Paste’s Coverage of “She’s Killed Hundreds”:

Wussy’s audience seems to be made up entirely of rock critics. You rarely meet mainstream fans of the Cincinnati band, but if Robert Christgau wants to get coffee we wouldn’t be opposed.

Despite their relative obscurity, Wussy is a criminally underrated alt-country outfit whose sixth studio album, Forever Sounds, came out today on Shake It Records along with a music video for single “She’s Killed Hundreds.” The video features two secret agents playing a game of cat-and-mouse ala Mad magazine’s “Spy vs. Spy” comics.

Read more at Paste

About the Video

Directed by Rich Tarbell and Brian Wimer.
Edited by Rich Tarbell with color correction by David Ariew.
Produced with Scott Vieth, Club 603, Baltimore MD.
From the album Forever Sounds.